The Capital
Germania: avenues wide enough to march an army down, a dome large enough to swallow a cathedral. Built to make the citizen feel like a detail in someone else's drawing.
A cinematic alternate-history series set in a world where the Axis powers were not defeated in 1945 — but endured, and rotted from within.
This is not a celebration of the regime it depicts. It is a study of what happens to ordinary people, institutions, and nations when an ideology built on domination is allowed to define an entire century. Every regime portrayed in this story — regardless of the ideology behind it — follows the same trajectory: toward crime, paranoia, and eventual collapse.
A first pass through the capital as it stands seventeen years after the war — every avenue and monument reconstructed from period plans.
Work-in-progress footage — not final quality.
Every structure begins as research. Buildings are reconstructed from period architectural and documentary sources, at true scale, before a single frame is animated.
Germania: avenues wide enough to march an army down, a dome large enough to swallow a cathedral. Built to make the citizen feel like a detail in someone else's drawing.
With the founder failing, the machine has no instruction for what comes next. Ministries, party organs, and armed services each claim the mandate.
Occupied territories, client states, and frozen fronts where the cost of the victory is paid daily and counted nowhere.
Nine episodes, opening on the launch of the carrier Adler at Wilhelmshaven in January 1962 and ending with the Reich at war with itself.
See the Episodes